Sub Navigation

12 Variations
After Figaro
After Nina
As...
Attack
August Offensive
B-bouncing...
Barcarole...
Barren Grounds
Beach Burial
Black River
Calling Music
Chamber Suite
The Children's...
Chorale, Demon..
Christmas Song
Cloud Burning
Collide
Dark Chair
Dead Songs
Deep Blue...
Devil's Music, The
Distant Shore, A
Diver's Lament
Duo Variations
Ekstasis
Endling
Etudes Espace
Ether Etude...
Everlasting...
Falling Man
From Fire Co..
Four Inventtions
Ghosts of Reason
Going Into Sh ..
I Am Black
I Am Writing...
In Tempore Stellae
Indigo Invention
Interludes
Journey to Horse..
Lake Moonrise
Le Molière...
Lines Drawn Fr..
little tree
L'Oiseau...
Maali...
Magnificat
Master Mariner
Meaning of Water
"Mephisto"
Night Birds...
Night Flight
Night Visions
Nocturnes and...
Nunc Dimittis
Once upon a time
Paradise
Paradise Bar...
Peace
Piano Sonata
Prelude and...
Quicksilver Ser ..
Respiro/Simple ..
Sea Call
Sea-Change
Septet No.2
Shadow's Dance
Silk
Silk Canons
Silken Weave
Simplify...
Sleepers Wake
Sonata Sopra..
Sonatina (clarinet)
Sonatina (violin)
Song of Songs
Sound Lur and...
Southern Ocean
St Peter's Suite
Stick Dance
Stick Dance II
Stick Dance III
Stille Sprache
Study After...
Suspended Preludes
Symphony No. 1...
Symphony No. 2...
Symphony No. 3...
To the evening...
Three Architects
Three Pieces...
Three Songs...
Tonic Continent
Violin Concerto
Wiegenlied
Wild Flower
Wind Quintet..
Willow Bend
Winter Ground


Page Anchors

not applicable

Tonic Continent (2000)

This work for violin, cello and piano was written for The Griffith Trio. The work opens out from a hushed opening and although less than ten minutes in duration is expansive in mood. The words I would best use to describe the piece are hovering and anthem-like: 'hovering' in the suspended harmony which is always tied to low, rich bass notes in the piano, and 'anthem-like' in its transparently tender mood and the hymn-like passages that dominate much of the writing. I owe the title, Tonic Continent, to a former student, who used the phrase, 'continents of tonic' to describe the emotional effect that comes from the slow movements of harmony in my Symphony - In Tempore Stellae. I like the idea of slow moving continental plates as symbolic of a type of inexorable tonal motion. Writing the work in the London gloom in early Spring 2000 that remembered vastness seemed to me to represent Australia, the tonic continent. The piece was commissioned with funds from the Australia Council for the Arts.

 

Home

Contact and Purchasing Links

Buy, borrow, hire scores, parts & recordings, plus all other enquiries: Australian Music Centre

info@australian
musiccentre.com.au

Tel: + 61-2-9935 7805
Tollfree: 1300 651 834
Fax: + 61-2-9935 7805


Buy CD recordings on line from Buywell


Concert Biography


1 page PDF doc


News
Click Through

YouTube Videos
Click Through

Publicity Photos
Click Through