Sub Navigation

12 Variations
After Figaro
After Nina
As...
Attack
August Offensive
B-bouncing...
Barcarole...
Barren Grounds
Beach Burial
Black River
Calling Music
Chamber Suite
The Children's...
Chorale, Demon..
Christmas Song
Cloud Burning
Collide
Dark Chair
Dead Songs
Deep Blue...
Devil's Music, The
Distant Shore, A
Diver's Lament
Duo Variations
Ekstasis
Endling
Etudes Espace
Ether Etude...
Everlasting...
Falling Man
From Fire Co..
Four Inventtions
Ghosts of Reason
Going Into Sh ..
I Am Black
I Am Writing...
In Tempore Stellae
Indigo Invention
Interludes
Journey to Horse..
Lake Moonrise
Le Molière...
Lines Drawn Fr..
little tree
L'Oiseau...
Maali...
Magnificat
Master Mariner
Meaning of Water
"Mephisto"
Night Birds...
Night Flight
Night Visions
Nocturnes and...
Nunc Dimittis
Once upon a time
Paradise
Paradise Bar...
Peace
Piano Sonata
Prelude and...
Quicksilver Ser ..
Respiro/Simple ..
Sea Call
Sea-Change
Septet No.2
Shadow's Dance
Silk
Silk Canons
Silken Weave
Simplify...
Sleepers Wake
Sonata Sopra..
Sonatina (clarinet)
Sonatina (violin)
Song of Songs
Sound Lur and...
Southern Ocean
St Peter's Suite
Stick Dance
Stick Dance II
Stick Dance III
Stille Sprache
Study After...
Suspended Preludes
Symphony No. 1...
Symphony No. 2...
Symphony No. 3...
To the evening...
Three Architects
Three Pieces...
Three Songs...
Tonic Continent
Violin Concerto
Wiegenlied
Wild Flower
Wind Quintet..
Willow Bend
Winter Ground


Page Anchors

not applicable

Barcarole for solo piano, Opus 45a (1992)

Barcarole (piano, 1992), Master Mariner – Dead at Sea (viola and piano, 2005) and Master Mariner – Lost at Sea (oboe and piano, 2006) are reworkings of the eighth song from the song cycle Dead Songs (1991) for soprano, clarinet, cello, and piano. The piano version, Barcarole, was written for a Red House edition of new Australian pieces all of which were to be exactly one page of music and was subsequently recorded by Michael Kieran Harvey, Antony Gray and Stephen Emmerson. Dead Songs consists of settings of texts adapted from epitaphs collected from New South Wales seaside cemeteries.  It was the simplicity of expression, the occasional unintentional humour and even the heartfelt Australian mawkishness of the texts that attracted me to them as sources for a song cycle.  In the case of the eighth song, 'Peace Perfect Peace', the text is a childlike lullaby in 6/8 but with the rocking disturbed by ominous deep, gong-like sounds in the prepared piano. 

© Andrew Schultz, 2016

 

Home

Contact and Purchasing Links

Buy, borrow, hire scores, parts & recordings, plus all other enquiries: Australian Music Centre

info@australian
musiccentre.com.au

Tel: + 61-2-9935 7805
Tollfree: 1300 651 834
Fax: + 61-2-9935 7805


Buy CD recordings on line from Buywell


Concert Biography


1 page PDF doc


News
Click Through

YouTube Videos
Click Through

Publicity Photos
Click Through